Terri Brooks: Kunsthuis LOOF Netherlands

Showing posts with label Kunsthuis LOOF Netherlands. Show all posts

Galerie LOOF

Selected works:

White Crunch 1, 2018, oil and enamel on paper, 40 x 30 cm.

Black Stripe, 2018, oil and enamel on paper, 40 x 30 cm x 2.

Stripes, 2018, oil and enamel on canvas, 41 x 31 cm

Walk through the exhibition with Annemee Hartsuiker

Installation view at Galerie LOOF

Installation view at Galerie LOOF, photo Ineke van Harten

In her artwork, Terri Brooks moves concrete observations to another domain in which they adopt a new nature and quality. Because of this transposition, we as a viewer are challenged to experience reality from a new perspective and an unusual framework. In this way we arrive at the essence of visual art that wants nothing more than to expand our world of experience and broaden our horizons ... Curator, Wim van der Beek 2018.

This Matters

This Matters

Fred Geven
Terri Brooks
Ingrid Simons
Janus Metsaars
Arjen Geurts
Ilse Brul
Age Hartsuiker

July 15 - August 13

GALERIE LOOF
Jubegga, Friesland, Netherlands
http://kunsthuisloof.nl/

Install image 'This Matters'

Friesch Newspaper review of 'This Matters'

A review of 'This Matters' by Jurjen K. van der Hoek, DE ZEVEN SCHOONHEDEN VAN GALERIE LOOF, Netherlands here

Rotterdam Contemporary Art Fair

Rotterdam Contemporary Art Fair
Kunsthuis LOOF
Stand 44
February 8 -12
World Trade Centre Rotterdam

Jet van Oosten, Stan Van Steendam, Peter Hiemstra, Terri Brooks

Block Crinkle, 2015, oil and enamel on paper, 59 x 50 x 10 cm.

The 6th edition of the Rotterdam Contemporary Art Fair will take place at the World Trade Center. The fair will be held during the Rotterdam Art Week together with Art Rotterdam and other events, creating the biggest art fair week in The Netherlands.

Kunsthuis LOOF Stand 44, Rotterdam Contemporary.

Kunsthuis LOOF Stand 44

Rotterdam Contemporary Art Fair, Kunsthuis Loof Booth is on the right.

Niek Hendrix, Rotterdam Contemporary Art Fair 2017, Lost Painters, Netherlands, Feb. 10.

My work is featured as 'worth seeing' in this web magazine with Kunsthuis LOOF. Link here

Art The Hague

Art The Hague, October 5-9 with Friesland Gallery Kunsthuis LOOF stand 43. During Aussie October celebrating 400 years since first European Dutch landing and Australia Netherlands relations.

Featuring process drawing paintings from 2013-4

Hinged Edges, 2013, oil, enamel and pencil on canvas, 46 x 41 cm x 2. Private collection, Rotterdam.

Art The Hague 2016, photo Art The Hague

Kunsthuis LOOF booth 43.

Kunsthuis LOOF artists: Jan van der Scheer NL, Stan Van Steendam BE, Terri Brooks AU, Inge Schenke NL, Tjitske Boersma NL

KunstRAI Amsterdam

Selected artists for KunstRAI Amstersam with Kunsthuis LOOF

White Lines, 2015, oil and enamel on paper, 143 x 112 cm.

Very pleased to announce my representation by Kunsthuis LOOF at KunstRAI, Amsterdam, 1-5 June, 2016.

Kunsthuis LOOF booth at KunstRAI 2016

Wall of small work by Stan Van Steendam

Kunsthuis LOOF booth at KunstRAI 2016

Opening night KunstRAI Amsterdam, 2016

It's the thought that counts opening....

Exhibition flyer

Exhibition catalogue

Installation shot Kunsthuis LOOF

Sietske Poepjes, Minister for the Arts and Vice Governor of Friesland who opened the exhibition
with Age and Annemee Hartsuiker.

Wonderful to have Melbourne artist Julie Keating and her uncle at the opening!

Great to meet and talk with Dutch artist Ajern Geurts.

Opening crowd.

Home time with Jose!

A review of the exhibition in the Heerenveen Courier by Jurjen K. van der Hoek

http://kunsthuisloof.nl/

It's the thought that counts

Terri Brooks

'It’s the thought that counts'

Kunsthuis LOOF

NETHERLANDS

The Vice-Governor of the province of Friesland mevr. S. Poepjes

will open the exhibition on 10 October at 17:00 in Jubegga, Friesland.
Exhibition dates: October 9 - November 1.

Selected works:

Four Cylinder Drawings, 2014, pencil, oil and enamel on constructed paper with string, 4 x 62 x 8 cm.

Black and White Crunch, 2015, oil and enamel on constructed paper, 85 x 68 cm.

Abstraction, 2015, oil and enamel on constructed paper, 105 x 85 cm.

The Gift, 2015, oil and enamel on constructed paper, 59 x 50 x 10 cm.

Up-Down, 2015, oil and enamel on constructed paper, 76 x 58 x 10 cm.

Topography, 2014, oil and enamel on constructed paper, 95 x 62 cm.

White Lines, 2015, oil and enamel on constructed paper, 143 x 112 cm.

One Direction Linear, 2015, oil and enamel on constructed paper, 164 x 111 cm.

Promoted in the Netherlands by The Australian Embassy, The Hague.

Terri Brooks Website↓

Since 1989 Terri Brooks has held over twenty solo shows in Australia, New Zealand, Italy and the Netherlands as well as participating in numerous exhibitions including art fairs in the US, UK, Germany, Italy, the Netherlands, Greece, Poland and Hong Kong. Her work is in the Neubrandenburg Museum Collection, Germany, The Macquarie Group Collection, Westpac Bank, many other corporate and private collections around the world. For over ten years her work has been been incorporated into projects by leading interior designers and architects for exclusive and award winning interiors. In 2018 she completed two major commissions for the Westin, Perth and Sheraton Four Points, Sydney.

Line and Weight

'In her seminal 1979 essay ‘Grids’, Rosalind Krauss writes that ‘logically speaking, the grid extends, in all directions, to infinity’. The grid within an artwork is therefore ‘a tiny piece arbitrarily cropped from an infinitely larger fabric’. The paintings in Line and Weight convey both this sense of the infinite spatial grid and, through the building up of layers, the infinite and repetitious nature of time. Washed over, painted across, re-written, line by line.' Anna Dunhill 2019.

Over the Edge

`The neglected zones of urban existence – alley ways, awnings, walls, gutters and shutters – occupy a unique place within the history of painting. Perhaps inadvertently, artists have been depicting such insignificant elements as cracked window ledges or the dark recesses of architraves since the time of Giotto. Ubiquitous, utilitarian and often worn down, the marginal nature of such sites and the phenomenological questions they raise has dominated Terri Brooks practice for the past two decades and continues to inform her work today.' Phe Luxford, 2011.