Robyn Burgess
Terri Brooks
To December 3
Tacit Galleries, Melbourne
191-193 Johnston St, Collingwood
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| L-R: Terri Brooks, TJ Bateson |
Salon
TJ Bateson
Robyn Burgess
Terri Brooks
To December 3
Tacit Galleries, Melbourne
191-193 Johnston St, Collingwood
Robyn Burgess
Terri Brooks
To December 3
Tacit Galleries, Melbourne
191-193 Johnston St, Collingwood
Substrate 22
August 3 - 20
TACIT ART
Sticks 1, 2022, oil on aluminum, 25.5 x 21.5 cm
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| Sticks 2, 2022, oil on aluminum, 25.5 x 21.5 cm |
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| Sticks 3, 2022 ,oil on aluminum, 25.5 x 21.5 cm |
Spectrum : The possibilities of light
July 13 - 30
TACIT ART
Selected works:
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| Crossings, 2022, oil on canvas, 90 x 122 cm. AU$5800 |
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| Weathered White, 2021, oil on canvas, 102 x 102 cm. AU$5800 |
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| Base Grid, 2021, oil on canvas, 84 x 61 cm. AU$3200 |
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| Material as Metaphor, 2021, oil on canvas, 61 x 66 cm. AU$2750 |
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| Brown Stripes, 2021, oil on canvas, 61 x 50 cm. AU$2300 |
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| Basket, 2022, oil on paper, 29 x 29 x 12 cm. AU$900 |
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| Check Oval, 2022, oil on paper, 27 x 20 x 5 cm. AU$750 |
Installation images:
The Butterfly Effect
Stand with Ukraine
100 artists have donated works for UNICEF
Ukraine Emergency Appeal
Bidding closes August 18
Gallery exhibition 1-18 August
Poimena Gallery, Launceston Grammar, Launceston, Tasmania
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| Sapphire Blue, 2019, oil on hardened paper, 27 x 21 x 9 cm. |
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Tacit Galleries
TJ Bateson
Voices
TACIT ART
Melbourne
To May 28
I wish Tim the very best and a good recovery.
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| Voices, Tacit Galleries |
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| Voices, Tacit Galleries |
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Slow Drawing, 2022, oil on canvas, 41 x 31 cm. |
April '22 news
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| Fine White Grid, 2020, installed with Miik Green at Ultimointeriors, with Linton and Kay Galleries Perth |
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| Stone Crown, 2017 (top left) with the work of artist Diana Miller private collection of the artist, NSW |
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| Grey Lines, 2016, private collection Melbourne |
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| Five works have travelled to private collections on the east and west coast of the USA this year including Veiled White Marks, 2018, oil on canvas, 122 x 122 cm. |
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| Introducing studio visit tickets. These can be purchased via the shop upon email request terribrooksartist@gmail.com |
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| White Variations, 2014, oil on canvas, 153 x 153 cm. |
https://www.terri-brooks-artist.com/shop
Works in the shop include shipping with insurance. Small works shipped via Australia Post Express and larger paintings with Pack and Send/DHL.
Delivery times vary between one to three weeks. Please note: Fine art is import duty (tax) exempt in most countries.
Payment options: Stripe, PayPal (including credit card and Pay in 4), and internet banking, PayID or account transfer. AU$ = .75USD.
Works in the shop include shipping with insurance. Small works shipped via Australia Post Express and larger paintings with Pack and Send/DHL.
Delivery times vary between one to three weeks. Please note: Fine art is import duty (tax) exempt in most countries.
Payment options: Stripe, PayPal (including credit card and Pay in 4), and internet banking, PayID or account transfer. AU$ = .75USD.
Currently there is a 'Running out of storage space' sale!
Selected works up to 50% off. Includes shipping.
6th biennale of international non objective art
Que des femmes/Only women
Melbourne virtual satellite 'The home show'
Hosted by Art Thoughts AU at Yarra Bend Gallery
September 22 - 19 November
Curated by Terri Brooks and Louise Blyton
International curator Billy Gruner
Bienniale Curator Roland Orepuk
When Kazimir Malevich exhibited the revolutionary painting ‘Black Square’ circa 1915, he transformed Modernism. Malevich said of the painting ‘the experience of pure non-objectivity in the white emptiness of a liberated nothing’.
A century on from the genesis of non-objectivity and concrete art within Western Art there has been a succession of relative movements in Modernism, some of which are Suprematism, Constructivism, De Stijl, Bauhaus, ZERO, Arte Povera, Op Art, Minimalism, Hard Edge Painting, Process Art and Neo-Geo.
Coinciding with the Women’s Liberation Movement gaining traction in the 1960s a few non-male artists such as Agnes Martin, Anne Truitt, Jo Baer and Bridget Riley gained major recognition within ‘Abstraction’. ‘Que des femmes’/Only Women, is the 6th Biennale of Non Objective Art and is dedicated to the work of women. The premier exhibition is in France, with satellites, including this Melbourne edition.
The history of Western Art is by and large a male artist history.
Today women artists are free to invent their own histories.
Melbourne virtual satellite 'The home show'
Hosted by Art Thoughts AU at Yarra Bend Gallery
September 22 - 19 November
Curated by Terri Brooks and Louise Blyton
International curator Billy Gruner
Bienniale Curator Roland Orepuk
Rose Moxham (qld), Marlene Sarroff (nsw), Suzan Shutan (us), Louise Gresswell
Irene Barberis, Jennifer Joseph, Wilma Tabacco, Louise Blyton, Karen Schifano (us)
Anna Caione, Emma Langridge, Suzie Idiens (nsw), Susan Buret (nsw)
Bogumila Strojna (fr), Danielle Lescot (fr), Connie Goldman (us), Sarah Robson (nsw)
Munira Naqui (us), Wendy Kelly, Terri Brooks
When Kazimir Malevich exhibited the revolutionary painting ‘Black Square’ circa 1915, he transformed Modernism. Malevich said of the painting ‘the experience of pure non-objectivity in the white emptiness of a liberated nothing’.
A century on from the genesis of non-objectivity and concrete art within Western Art there has been a succession of relative movements in Modernism, some of which are Suprematism, Constructivism, De Stijl, Bauhaus, ZERO, Arte Povera, Op Art, Minimalism, Hard Edge Painting, Process Art and Neo-Geo.
Coinciding with the Women’s Liberation Movement gaining traction in the 1960s a few non-male artists such as Agnes Martin, Anne Truitt, Jo Baer and Bridget Riley gained major recognition within ‘Abstraction’. ‘Que des femmes’/Only Women, is the 6th Biennale of Non Objective Art and is dedicated to the work of women. The premier exhibition is in France, with satellites, including this Melbourne edition.
The history of Western Art is by and large a male artist history.
Today women artists are free to invent their own histories.
Artists work L-R: Anna Caione, Irene Barberis, Rose Moxham, Connie Goldman, Susan Buret,
Bogumila Strojna, Suzie Idiens, Emma Langridge, Suzan Shutan, Sarah Robson,
Marlene Sarroff, Terri Brooks, Karen Schifano, Louise Gresswell, Louise Blyton,
Danielle Lescot, Wilma Tabacco, Munira Naqui, Wendy Kelly, Jennifer Joseph.
Clement Meadmore chorded chair, c1952, courtesy of Anna Caione.
Photography Louise Blyton.
Jennifer Joseph represented by Niagara Galleries Melbourne.
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| Kazimir Malevich exhibition 1915 |
The Home show interiors
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Terri Brooks, White Paint, 2021, oil on paper, 27 x 20 x 12 cm. (ceramics Kris Coad. |
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Louise Blyton, X, 2021, acrylic on linen on wood, 31 x 31 cm. |
Yarra Bend Gallery exteriors
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Anna Caione, La Mamma Disperso, 2020, mixed media, acrylic paint, 40 x 12 cm. |
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Sarah Robson, Unfolding geometries (shirt grid), 2018, cotton shirt, 50 x 25 cm. Pinned to the wall. |
6th international biennale of non objective art
Que des femmes/Only women
Melbourne virtual satellite
Hosted by Art Thoughts AU at Yarra Bend Gallery
September 22 - 19 November
I created Art Thoughts AU in 2008 as an educational resource and record of Abstract art in Australia. At the time I was nearing the completion of my PhD.
Later during 2013-5 I project managed the national touring abstraction exhibition Direction Now. So it gives me great pleasure to host and co curate the Melbourne satellite of the 6th Biennale of Non Objective Art with Louise Blyton.
‘Terri Brooks has held over twenty five solo exhibitions and has participated in shows in public, university, commercial and artist runs spaces including art fairs nationally and in the United States, United Kingdom, The Netherlands, Italy, Germany, China, New Zealand, Poland and Greece.
Melbourne virtual satellite
Hosted by Art Thoughts AU at Yarra Bend Gallery
September 22 - 19 November
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| Terri Brooks and Amanda Ryan at the opening of Direction Now, Town Hall Gallery, Melbourne 2014. |
I created Art Thoughts AU in 2008 as an educational resource and record of Abstract art in Australia. At the time I was nearing the completion of my PhD.
Later during 2013-5 I project managed the national touring abstraction exhibition Direction Now. So it gives me great pleasure to host and co curate the Melbourne satellite of the 6th Biennale of Non Objective Art with Louise Blyton.
‘Terri Brooks has held over twenty five solo exhibitions and has participated in shows in public, university, commercial and artist runs spaces including art fairs nationally and in the United States, United Kingdom, The Netherlands, Italy, Germany, China, New Zealand, Poland and Greece.
Brooks is currently represented by Flinders Lane Gallery and Linton and Kay Galleries in Australia and Richeldis Fine Art in the United Kingdom.’
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| L-R Hinged Edges, Veiled Black Dots and Black Square, Direction Now, Caboolture Regional Art Gallery, Qld, 2015. |
Terri Brooks and Tracey Lamb
Opening August 14 at 1 pm
Cross Gallery
Bundaberg QLD
Thirteen paper works exhibited for the first time including:
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| White Square, 2018, oil on paper, 30 x 30 cm. Sold prior to opening. |
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| White Diagonal, 2019, oil on paper, 28 x 22 x 10 cm. |
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| Hessian Stripes, 2020, oil on paper, 35 x 30 x 10 cm. |
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| Brown White Black, 2020, oil on paper, 35 x 30 x 10 cm x 2 (Diptych) |
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| Red Line Square Box, 2020, oil on canvas, 24 x 22 x 17 cm. |
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| Installation view |
MUGA
Museum Galerie Heerenveen
3
Terri Brooks
Kees de Vries
Harmen van der Tuin
10 JULI T/M 22 AUGUSTUS 2021
Gallery MUGA cordially invites you and your friends to the start of the exhibition 3 artists
Saturday 10 July from 13.00-17.00.
Tuesday to Friday from 11 am to 5 pm, Saturday and Sunday from 13.00-17.00
Museum Heerenveen
11 Minckelersstraat
8442 CE Heerenveen, NL
Some install shots
3
Terri Brooks
Kees de Vries
Harmen van der Tuin
10 JULI T/M 22 AUGUSTUS 2021
Gallery MUGA cordially invites you and your friends to the start of the exhibition 3 artists
Saturday 10 July from 13.00-17.00.
Tuesday to Friday from 11 am to 5 pm, Saturday and Sunday from 13.00-17.00
Museum Heerenveen
11 Minckelersstraat
8442 CE Heerenveen, NL
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| Terri Brooks, Line Crunch 2, oil and enamel on paper, 40x30 cm. |
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| Kees de Vries, Zoutsculptuur, salt with acid and so 2 zeezout afm, 60x60 cm. |
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| Harmen van der Tuin, Opaal Afmeting,123,6 x 200 x 14 cm. Gemengde techniek. |
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