Terri Brooks: April 2020

Terri Brooks' Lounge Show

Art Lounge International
Ohio, USA
April 2020

Brown Weft

Oil and enamel on canvas

91 x 71 cm; 35.8 x 27.9 in.

Ships from Australia.

USD 2450

I was excited to be invited by the team at TRiCERA to join the Tokyo based online art site.

World's Art as One
TRiCERA's activities are not limited to domestic; we provide a system to support developing countries by selling their hidden artworks to the world. Remove barriers for all artists in the world, "Creativity has No Boundaries" - excerpt Tricera website

Website: https://www.tricera.net/

Below are some included works:

Waves, 2016 oil on canvas, 122 x 153 cm.

Black Weave, 2018, oil on canvas, 91 x 122 cm.

Horizontal Whites, 2020, oil on cardboard, 45 x 35 cm.

Brown White Box, 2020, oil and pencil on cardboard, 45 x 35 cm. Angel view.

Art Lounge International

I have happily up-scaled my collection of paintings available at Art Lounge International including the works below. Shipping from Melbourne.

Based in Ohio the site specialises in reductive and new modern works.

Brown Stripes, 2019, oil on canvas, 122 x 122 cm.

White Square, 2019, oil on canvas 76 x 71 cm.

Line and Weight

'In her seminal 1979 essay ‘Grids’, Rosalind Krauss writes that ‘logically speaking, the grid extends, in all directions, to infinity’. The grid within an artwork is therefore ‘a tiny piece arbitrarily cropped from an infinitely larger fabric’. The paintings in Line and Weight convey both this sense of the infinite spatial grid and, through the building up of layers, the infinite and repetitious nature of time. Washed over, painted across, re-written, line by line.' Anna Dunhill 2019.

Over the Edge

`The neglected zones of urban existence – alley ways, awnings, walls, gutters and shutters – occupy a unique place within the history of painting. Perhaps inadvertently, artists have been depicting such insignificant elements as cracked window ledges or the dark recesses of architraves since the time of Giotto. Ubiquitous, utilitarian and often worn down, the marginal nature of such sites and the phenomenological questions they raise has dominated Terri Brooks practice for the past two decades and continues to inform her work today.' Phe Luxford, 2011.