Terri Brooks: June 2026

I am pleased to announce I now have work listed on the Artist Network of Design Talk. A Toronto based community consisting of nearly 12,000 interior designers across North America.

The site is a community and educational hub for established and emerging/aspirational interior designers. `Design Talk was founded by Stacey Cohen, who has owned and operated a luxury interior design firm, Stacey Cohen Design, for over 20 years.' Design Talk site.

https://www.mydesigntalk.com/

Point A to B, 2024, oil on canvas, 112 x 102 cm.

'Design Talk Brand Partners are carefully selected industry leaders we genuinely trust and actively work with. Each partner is vetted for quality, dependable service, and strong profitability opportunities. When you connect with a Design Talk Brand Partner, you’re not just sourcing product, you’re building a relationship you can rely on project after project.' Design Talk site.

Artist Network

Terri Brooks

Some of the available works

Stepped Grid, 2025, in situ.

Checked Base, 2026, in situ.

White Linear Grid, 2026, in situ.

Southern Cross and Black White Crossing 2025,
oil on canvas and paper, 44 x 44 cm each

Group exhibition
Studio Gallery Group
To June 25

https://www.studiogallerymelbourne.com.au/

'At a time when the world feels increasingly accelerated and uncertain, Evolve asks what it means to continue creating with intention. How do artists respond to external events, technological change, shifting pace, or instinctive creative pull? What patterns emerge over time, and what possibilities lie ahead?'

Video still, from a short video responding to questions proposed for the Evolve exhibition
YouTube link to full video

Selected Works

Halo, 2019, oil on paper, 34 x 29 x 9 cm.

White Check, 2023, oil on canvas, 41 x 31 cm.

Panel, 2021, oil on canvas, 112 x 107 cm.

Installation view, Panel, 2021 (R).
Photo by artist Louise Knowles.

Line and Weight

'In her seminal 1979 essay ‘Grids’, Rosalind Krauss writes that ‘logically speaking, the grid extends, in all directions, to infinity’. The grid within an artwork is therefore ‘a tiny piece arbitrarily cropped from an infinitely larger fabric’. The paintings in Line and Weight convey both this sense of the infinite spatial grid and, through the building up of layers, the infinite and repetitious nature of time. Washed over, painted across, re-written, line by line.' Anna Dunhill 2019.

Over the Edge

`The neglected zones of urban existence – alley ways, awnings, walls, gutters and shutters – occupy a unique place within the history of painting. Perhaps inadvertently, artists have been depicting such insignificant elements as cracked window ledges or the dark recesses of architraves since the time of Giotto. Ubiquitous, utilitarian and often worn down, the marginal nature of such sites and the phenomenological questions they raise has dominated Terri Brooks practice for the past two decades and continues to inform her work today.' Phe Luxford, 2011.